PRESS

 REVIEWS

 

“The beauty here is in the coming together of elements, the creation of new artists, the intense visual magic and Jack Waters’ ultimate message: the celebration of life.”

— Sarah Schulman (FULL REVIEW)

 

Generator: Part 1 fulfills its promise to be a truly inimitable theater experience. This is largely thanks to the aural stimulation courtesy of the queer-skinned “kitchen band” NYOBS, whose energy and renegade style of performance suit this piece very well. Their joy in performing is very palpable, even as their music mastery is competing for the audience’s attention with the eye-popping visual projections and the cast of performers, who really give their all on stage. Audiences will indeed look forward to the second installment in this trilogy…”

— Jed Ryan, Lavender After Dark (FULL REVIEW)

 

“A Jarring Genesis - With its heady mix of low and high tech, this is not a slick production, and that’s by design. Yes, there are video projections and lighting effects. But in the tradition of micro-budget, experimental downtown theater, the piece also incorporates simple materials in innovative ways.”

— David Kennerly, Gay City News (FULL REVIEW)

 

“If there is such a thing as “classical” experimental theatre, then Generator is the epitome of the category.”

— Andrew Andrews, Opplaud (FULL REVIEW)

 

“From Amoebas to Cave People at La MaMa - Generator is part art installation, part dance theater that evokes the evolution of life forms on earth...It ends several billion years later with cave people in adorable furry black and beige outfits scurrying about on stage as an upright shaman, colorfully attired in a spider-like costume, asks questions like Who are we?

— New York Theater (FULL REVIEW)

 

“…a blow by blow account of the primordial impulse that drives life, awareness and motivation...Beautiful design, movement, strong images, live vocal effects!...intricate soundscore…”

— Steve Zehentner

 

REVIEWS FROM PREVIOUS SHOWS

 
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“...As Syberberg did in his "Parsifal" film, Waters presents Wagner as a collage of information...Waters is a juggler of signifiers..."

— Marion Jacobson, review of Jack Waters’s ‘Ring’, Washington Post


 
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...The result is a meticulous imagining of the shoot, especially in Waters’s electrifying impersonation of [Jason] Holliday...."

— Richard Brody, review of ‘Jason And Shirley’, The New Yorker



 
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“...in response to the realities of their time... art continues to be made... by Jack Waters and Peter Cramer.”

— Holland Cotter, review of ‘Not Over’: ‘25 Years of Visual AIDS’, New York Times